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Wavecore 2 artists

 

 

Amalaise

“Piscine” (from “Twinning Pools”, courtesy of Slo.Bor Media, 2012)


Founded in 2011, Amalaise is a Baltimore-based collaboration between visual and sound artist Beth Brown and established ambient electronic musician Jason Sloan. Brown’s vocal training and formal education in fine art helped to inform the overall aesthetic of the project.

The development of their debut album, “Twinning Pools,” consists of experimentation with vocals and field recordings in the spirit of Musique Concrète. Brown discovered micro-sound worlds existing in everyday items, such as kitchen appliances, free weights, house furniture, pots and pans, glass bottles, metal fencing, pipes, and countless other utilitarian objects. Most of “Twinning Pools” began as short exploratory soundscapes, designed to discover potential sonic textures from these unconventional instruments. Using various recording techniques, Brown would compose loosely structured pieces of music that would become the backbone of “Twinning Pools.” Together in the studio, Brown and Sloan combined these compositions with traditional instruments and production methods. After nearly a year of fine tuning, these ethereal soundscapes began to form the direction and content of the album, which was released March 15, 2012.

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Slo.Bor Media

 

Blablarism

“Enchrostid”

“blablarism is my solo project based in Kyiv, Ukraine (I’m Oksana Zmorovytch). So far, I have the “fugue” EP released by a London-based record label “New Ideals”. In the nearest future I’m planning to release an LP”.
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Brusque Twins

“Gates of Heaven”

Brusque Twins first emerged from the toxic conifer forest of the cold Canadian north and surfaced in Montreal in approximately 2010 A.D. The specifics are unknown. Hollie Hensman and Derek George are the physical manifestation of Brusque Twins.

Their arrival marked the beginning of frequent nocturnal sightings around the city in clubs and on factory floors. Eyewitnesses report the two speaking in colors, delays, ethereal voices and driven by a constant rhythmic pulse. Feeding off Acid, early Industrial and Detroit Techno, the Brusque Twins experience is said to be a dark trance-inducing game of desire.

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Déficit Budgétaire

“We Are”


“La bande-son des années crise”
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Zanye East

“Thought Police – NSA Privacy Settings Edit” (from “Wish House”, courtesy of escc9)

zanye east is zane michael o’brien born 07/05/84, (of fauxmusica/sacred star/folding pyramid) is among one of the creators/innovators of the net music scene that has developed in the second decade of the 21st century. he coordinates the multimedia collective “escape sirius cybernetics corporation

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escc9

 

Future

“Skylights¨ (Post California’s ²Waltz remix)


Since September 2012, drenched in full guitar feedback, reverberating vocals, and fractured drums, Future is deafening noise pop that has been described as a “sonic wall of sound.”The Parisian duo combines cold melodies and atmospheric chords similar to the Jesus and Mary Chain and A Place to Bury Strangers. Abyss EP out on April 15th. A new EP will be released in December 2013 on Anywave, and they are currently working on their first LP (out on Anywave & Le Truc Mécanique in 2014)

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nøthing collective

 

How to Disappear Completely
“Divided” (from “Divided ep”)
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Kindest Cuts

“Villains” (from “Kindest Cuts ep”, courtesy of Dub Ditch Picnic Records, 2013)


Hell is other people, Kindest Cuts are what those people dance to.

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Dub Ditch Picnic Records

 

L’Avenir

“Behind the Glass”


L’Avenir is the dark synth project of veteran electronic musician and sound artist Jason Sloan. Known throughout the space and ambient music scenes for his contemplative electronic soundscape work for over a decade; Sloan founded L’Avenir as a side project in 2012 to explore his long time love of synth  and minimal wave music created purely from analog and vintage equipment.

While releasing over a dozen solo solo electronic ambient albums and E.P.’s under his own name, Sloan has played solo all over the US, Canada and Europe including the influential Live Constructions radio program at Columbia University, STEIM in Amsterdam and Philadelphia’s The Gatherings concert series, one of the country’s oldest continuing ambient and electronic music series.

Sloan is a Professor teaching full-time in the Interactive Arts department along with being the founder and program coordinator for the Sound Art concentration at the Maryland Institute College of Art in Baltimore, Maryland.

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L’Avenir (website)


Mareux

“Cold Summer”

Mareux is a project started by Grant Monot, a 21 year old producer and filmmaker from Los Angeles, California. Grant incorporates melancholy melodies and vintage synthesizers to recreate personal feelings he fears can be lost over time. His main influences are Interpol, Palmbomen, Mr. Oizo, Kourosh Yaghmaei, and New Order.

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Мінск

“Łódź”


Мінск is a synthwave duet based in the Parisian area, but they wish they come from anywhere else. The two musicians improvide soundtracks while watching at obscure political thrillers and forgotten sci-fi movies.

 

Jari Pitkänen

“Evermore” (courtesy of Enough Records)

photograph : Varia

The Finn Jari Pitkänen is a perfect stranger. But that does not stop – never stopped and never will prevent – that his work reaches all corners of the world.André Gomes
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Enough Records

 

Post California

“Skylights¨ (Post California’s ²Waltz remix)


From fragments of mp3 cut and ordered, Post California, group without instruments, builds stabbing frescoes strongly marked by the theme of the industrial accident, vitrifies the contemporary sound objects to build an esthetic vision of the after disaster.

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Prairie

“Veronica or Die” (from “I’m So In Love I Almost Forgot I Survived A Disaster” courtesy of Spank Me More records)


Photograph : Khristine Gillard

Prairie manipule guitare et électronique. Il compose des B.O.,  joue parfois avec d’autres, est une moitié du duo d’improvisation Prairie Calmel avec la performeuse Lucille Calmel. “Veronica or Die” est issu de son premier EP vinyl et digital « I’m so in love I almost forgot i survived a disaster » sorti sur le label belge Spank Me More en janvier 2013.

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Spank Me More

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PsychIc Hearts

“Niebla”

Psychic Hearts is a Mexican duo of post-punk music, shoegazing and dark wave formed in State of Mexico in 2012.Composed of Erick Arevalo (guitar/vocals/drum machine) and Javier Mejia (bass guitar/ vocals), the duo creates a sound which is influenced by the classic underrated bands like “The Jesus and the Mary Chain”, Dead can Dance and passing thru the industrial techno of Cabaret Voltaire.

This new band has released three washed out dark pop singles that will give you an taste of what is ahead for this band musically. This young duo works with a reverbed vocal effect that makes the lyrics mysterious and almost indiscernible, as if you were listening through gauze – a common technique in shoegaze and dream pop. Psychic Heart’s use of drum machine moves the band into a more minimalist direction; their guitars come to the fore, creating a dark, echoic vibe in their debut recordings.

“Niebla” is a song produced especially for the compilation.

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Jacqueline Sauvage

“Jacqueline”


Après avoir travaillé comme ingénieur du son et illustratrice sonore,  mis un pied dans la mode, je suis aujourd’hui Dj et musicienne.Jacqueline Sauvage, mon projet solo, allie souvenirs d’enfance et aspirations énergiques. Jacqueline, mon troisième prénom, celui d’une grand-mère bourrasque. Sauvage, son énergie, mon goût pour la vie nocturne. Une musique électronique aux accents de lointains tropiques.

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Seventeen at this Time

“Le manque révèle le besoin”

A many-sided and uncompromising act based in Paris and signed to Cranes Records. Seventeen at this Time has released a post-punk influenced LP in 2013 (Tokkoubana) and is now evolving to a more minimal and electronic driven music.

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S u p a h m o o n m o o n

“Air and Water”

Je viens de Lyon et je fais de la musique d’ordinateur depuis bientôt 2 ans, dans ma chambre, mon dernier EP crystal plane/jewels viens d’ailleurs de sortir chez Ghetto Inferno. Mes inspirations viennent d’un peu partout, elles passent par tous les sous-genres de la musique électronique.
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